Bibliography
1.INTRODUCTION TO SEMIOTICS / Yoshihiko Ikegami / Iwanami (Japan) 1984 #
2.WORD AND IMAGE / Norman Bryson / Cambridge 1981
3.BT JAN. 1996: The sign called Painting-Norman Bryson / Masayuki Tanaka, Michiro Hayashi / Bijutsu syuppan (Japan) #
4.JENNY HOLZER / Michael Auping / New York universe 1992
5.VISION AND PAINTING: The logic of the Gaze / Norman Bryson / New Haven and London 1983
6.CAMERA LUCIDA / Roland Barthes translated by Richard Howard, La Cambre Claire, English / London, Vintage 1982 (1980)
7. PLEASURE OF THE TEXT / Roland Barthes translated by Richard Miller, Le Plaisir du texte,
English / Basil Blackwell Ltd. 1975 (1973)
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8. BT DEC. 1994: Jenny Holzer / Hiroshi Minamishima / Bijutsu syuppan (Japan) #
9. REVUE DE LA PENSEE D’AUJOURD’HUI vol. 9-8 Lacan / Jacques Lacan et al. / Seido-sya (Japan) 1981 #
10. THE ORIGINALITY OF THE AVANT –GARDE AND OTHER MODERNIST MYTHS / Rosalind E.Krauss / Cambridge, Massachusetts 1985
11. BT FEB. 1996: Cross Over Modernism – Rosalind Krauss, Art History Now / Masayuki Tanaka, Michio Hayashi / Bijutsu syuppan(Japan)#
12. LAMENTS / Jenny Holzer / Dia Art Foundation 1989
13. LAZY PHYCHOANALYSIS Syu Kishida / Chuo koron sya (Japan) 1982 #
14. CHUNICHI-SHINBUN 17th Apr. 1996 : Light and Shadow of Virtual Reality / (Japanese Newspaper) #
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※This thesis was presented by the author as a dissertation for the degree of MA at Central Saint Martins College of Art & Design, The London Institute in 1996.